CineVegas 2009

 
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Jackpot Premieres/World Premiere
The nymphomaniac virgin, the twin-less trophy wife, and the rapping stockbroker are a little off. Likewise, the electronics-loving Lolita, the faded pin-up girl, and the paranoid are not quite right. But when these six would-be patients compete for the last available bed in a luxurious insane asylum… well, that’s just plain crazy. And, without a doubt, absurdly appealing. ASYLUM SEEKERS’ mood-driven cinematography and production design create a Terry Gilliam-esque world of freaky characters and cracked institutions that point to the surreal but are uncomfortably close to reality. Director Rania Ajami blends absurdity with psychotherapy and madness with magic realism. Touching upon the themes of identity, normality, sexuality, romance, reality, and the idea of what exactly constitutes insanity, Ajami lays out a colorful vision that matches her colorful characters. Along with her performers, all of whom help us connect with the disconnected, she delivers what is not just an exaggerated observation of the people society doesn’t willingly accept, but a reflective one that questions the human condition — one that is as whimsical as it complex, as comedic as it is chaotic.
Jackpot Premieres/World Premiere
Irene and Daniel are an upwardly mobile couple that is a few weeks away from the birth of their first child and a bad business deal closer to financial collapse. When a family wedding (and a personal loan from Irene's wealthy father) draw them out of Manhattan to venture upstate, they lose their way on an unfamiliar wooded roads. What was supposed to be a regular drive alters their lives forever when they pick up a hitchhiker. In spite of its simple plot, the intelligence that permeates David Barker’s rigorous and personal re-imagining of the genre film is striking and terrifying. With its tense interiors, insistent blend of suspense and drama, rich character detail, and minimalist aesthetic, DAYLIGHT feels unlike other works that make up the American film landscape. Alternately infuriating and harrowing, DAYLIGHT is a potent piece of shock cinema that thrives on making the audience uncomfortable. The slow boil of this genre piece nonetheless deftly evades falling into genre traps. Such filmmaking decisions imbue with the action a depth of character that enhances the terror to alarming effect. Featuring bold and riveting performances by the entire cast, Barker’s film keeps you completely involved emotionally from moment to excruciating moment.
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SEE “ETIENNE!” IN A CITY NEAR YOU THIS FALL!

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ETIENNE!, which world premiered at CineVegas 2009, will have screenings at film festivals across the country this fall. Directed by Jeff Mizushima (who won the Filmmaker to Watch Award at the 2009 fest), the film tells the story of Richard, who spends his days taking care of his best and only friend, a dwarf hamster named Etienne. When Etienne is diagnosed with terminal cancer, Richard decides to take him on a bicycle road trip up the California coast to show him the world before he must put him to sleep.

Click here to get the full list of screenings and to see if ETIENNE! will be coming to a theater near you!

LIFE AFFIRMING: “TRASH HUMPERS” AND “ENTER THE VOID”

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For the most transgressive double-feature of the year, I caught the new Harmony Korine and Gaspar Noe films back-to-back in Toronto. I didn’t expect each film’s hopeful enthusiasm for innocent youth.

TRASH HUMPERS can be billed as Korine’s return to his early territory of GUMMO… Well, Harmony has always pushed the limits, breaking down the conventions of film plots and styles, reaching the high expectations of euro art yet hitting home for all of us who grew up in the 80s in mid-America suburbia with Swamp Thing as our biggest life coach. HUMPERS reaches the insane levels of GUMMO but is more disjunct with less plot and more pure moments, which turned some viewers off, at least the ones who split early. But I loved it, a film purely in the avant gutter. Every frame was put together beautifully, a photography book in motion, with a perfect looking VHS (on EP mode) format. There is a great traveling gallery show possible alongside the movie. The film documents the minutes and hours of four old people as they hump trash and mess things up around town freaking out onlookers, with a deeper life metaphor in the last few scenes that’s great. Dealing with the heaviness of adult responsibility and desperate for the teenaged carelessness in old age, it becomes life affirming.

Whenever you can, follow HUMPERS up with ENTER THE VOID, Noe’s explosion of a film about the existential circle of life. Following a brother and sister through drugged happiness, childhood tragedy and some baaaad choices, Noe reaches Spielberg levels of CGI to portray the film from inside the main character’s head, complete with eye blinks, before moving the audience on to smooth, endless floating over the characters and luscious Tokyo. It’s excessive but not overdone, with incredible colors and movement, as if Ken Jacobs’ remade The Lady in the Lake (the all-POV film noir). It’s probably too straight-forward and narrative for a pure avant-garde crowd but drug-lovers and reincarnationists will be ecstatic thoughout. Strong performances push the limits with Noe’s frenetic filmwork, bringing realism to the characters. Noe’s fascination with the incredible string of life culminates in a porn version of the last 20 min of 2001, in a way. Yes, lots of the crowd guessed where the plot was going. But if people want to see something truly visceral, tackling the complexities of life and youth, this pops the ceiling.

“HUMPDAY” OPENS IN VEGAS TODAY!

x5HUMPDAY, which screened in the Sure Bets section at CineVegas 2009, opens in Vegas today at Regal Village Square. From director Lynn Shelton, and starring indie favorites Mark Duplass and Josh Leonard, HUMPDAY is a buddy movie gone wild.

It’s been a decade since Ben (Duplass) and Andrew (Leonard) were the bad boys of their college campus. Ben has settled down and found a job, wife, and home. Andrew took the alternate route as a vagabond artist, skipping the globe from Chiapas to Cambodia. When Andrew shows up unannounced on Ben’s doorstep, they easily fall back into their old dynamic of macho one-upmanship. Late into the night at a wild party, the two find themselves locked in a mutual dare: to enter an amateur porn contest together. But what kind of boundary-breaking, envelope pushing porn can two straight dudes make? After the booze and “big talk” run out, only one idea remains—they will have sex together…on camera. It’s not gay; it’s beyond gay. It’s not porn; it’s art. But how exactly will it work? And more importantly, who will tell Ben’s wife?

Regal Village Square is located at 9400 W. Sahara. Showtimes are 1:15, 3:45, 6:45 and 9:15. For more info on HUMPDAY, visit the film’s website here.

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Rated 4.0/5 Stars
toryanne rated Daylight
on: 10/21/09 4:19 PM
rilley reviewed Sea Of Darkness
on: 10/17/09 1:01 PM
saying: "don't let the facts get in the way of a good story- Martin Daly. If you liked the Informant you'll ..."
rilley reviewed Sea Of Darkness
on: 10/17/09 12:52 PM
saying: "don't let the facts get in the way of a good story- Martin Daly. If you liked the Informant you'll ..."
Rated 2.0/5 Stars
rilley rated Sea Of Darkness
on: 10/17/09 12:51 PM
Number of calendar adds urbanworld2009 added Shorts Program One: "Performance" (screening: 6/11/09 1:00 PM) to the calendar
on: 9/11/09 2:59 PM
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on: 8/18/09 9:25 AM
stomptokyo reviewed Modus Operandi
on: 7/20/09 10:09 AM
saying: "Not for everyone but succeeds mightily at what it is trying to be."
Rated 5.0/5 Stars
stomptokyo rated Modus Operandi
on: 7/20/09 10:09 AM
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