CineVegas 2009

 
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Featured/Jackpot Premieres/World Premiere
Set in a visually dazzling fantasy of the early 1930's, DARK STREETS tells the story of Chaz Davenport, a dashing but naive playboy who owns the hottest new nightclub in town – “The Tower.” Surrounded by blues music and juggling two gorgeous singers, Chaz is the envy of every man. Yet he's up to his neck in bad debts and bad choices, and his father's unexpected suicide gets more mysterious the more Chaz looks into it. As he is drawn deeper into a web of lies and betrayal, Chaz no longer knows who to trust or who to fear. Rachel Samuels places this melange of politics, sex, and family secrets against a lush and lurid backdrop. Buoyed by its stunning art direction, wardrobe, and cinematography, and propelled by alluring performances from its multi-talented cast, DARK STREETS is a neo-noir musical that richly stimulates the senses. Bijou Phillips and Izabella Miko radiate as Gabriel Mann's femme fatales. And the soundtrack boasts the best contemporary blues artists, including Dr. John, Etta James, Natalie Cole, Aaron Neville and Solomon Burke; as well as a rich blues score with contributions from BB King and Richie Sambora. DARK STREETS is a unique, music-driven feast for the eyes and ears. Public Contact Info: www.darkstreetsmovie.com www.bluesinitiative.org darkstreets.rsamuels@gmail.com
Featured/Pioneer Documentaries
“Poverty is the parent of revolution and crime.” -Aristotle If you grow up in a rough neighborhood, you learn how to survive quickly. In the East End of London after World War II, survival for some kids led to violent lives. Pretty Boy Roy Shaw got into “unlicensed” boxing when he learned he was blessed with the power of punch. Danny Woollard beat up a man who owed him money—he became a professional enforcer. Victor Dark became a bank robber. And the filmmaker’s father, Les Falco, describes his own life without recommendation or criticism. First-time filmmaker Nicola Collins explores the gritty complexity of these men's lives; infamous criminals that shaped their war-torn environment into a violent underworld. In fitting black-and-white portraits, the men do not leave anything grey—they talk about their extraordinary lives and their code of honor without shame or apologies. Film noir is too cute of a movie description. THE END is bare-knuckle reality. Public Contact Info: Duckin & Divin Productions Los Angeles, CA info@theendthefilm.com
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SEE “ETIENNE!” IN A CITY NEAR YOU THIS FALL!

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ETIENNE!, which world premiered at CineVegas 2009, will have screenings at film festivals across the country this fall. Directed by Jeff Mizushima (who won the Filmmaker to Watch Award at the 2009 fest), the film tells the story of Richard, who spends his days taking care of his best and only friend, a dwarf hamster named Etienne. When Etienne is diagnosed with terminal cancer, Richard decides to take him on a bicycle road trip up the California coast to show him the world before he must put him to sleep.

Click here to get the full list of screenings and to see if ETIENNE! will be coming to a theater near you!

LIFE AFFIRMING: “TRASH HUMPERS” AND “ENTER THE VOID”

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For the most transgressive double-feature of the year, I caught the new Harmony Korine and Gaspar Noe films back-to-back in Toronto. I didn’t expect each film’s hopeful enthusiasm for innocent youth.

TRASH HUMPERS can be billed as Korine’s return to his early territory of GUMMO… Well, Harmony has always pushed the limits, breaking down the conventions of film plots and styles, reaching the high expectations of euro art yet hitting home for all of us who grew up in the 80s in mid-America suburbia with Swamp Thing as our biggest life coach. HUMPERS reaches the insane levels of GUMMO but is more disjunct with less plot and more pure moments, which turned some viewers off, at least the ones who split early. But I loved it, a film purely in the avant gutter. Every frame was put together beautifully, a photography book in motion, with a perfect looking VHS (on EP mode) format. There is a great traveling gallery show possible alongside the movie. The film documents the minutes and hours of four old people as they hump trash and mess things up around town freaking out onlookers, with a deeper life metaphor in the last few scenes that’s great. Dealing with the heaviness of adult responsibility and desperate for the teenaged carelessness in old age, it becomes life affirming.

Whenever you can, follow HUMPERS up with ENTER THE VOID, Noe’s explosion of a film about the existential circle of life. Following a brother and sister through drugged happiness, childhood tragedy and some baaaad choices, Noe reaches Spielberg levels of CGI to portray the film from inside the main character’s head, complete with eye blinks, before moving the audience on to smooth, endless floating over the characters and luscious Tokyo. It’s excessive but not overdone, with incredible colors and movement, as if Ken Jacobs’ remade The Lady in the Lake (the all-POV film noir). It’s probably too straight-forward and narrative for a pure avant-garde crowd but drug-lovers and reincarnationists will be ecstatic thoughout. Strong performances push the limits with Noe’s frenetic filmwork, bringing realism to the characters. Noe’s fascination with the incredible string of life culminates in a porn version of the last 20 min of 2001, in a way. Yes, lots of the crowd guessed where the plot was going. But if people want to see something truly visceral, tackling the complexities of life and youth, this pops the ceiling.

“HUMPDAY” OPENS IN VEGAS TODAY!

x5HUMPDAY, which screened in the Sure Bets section at CineVegas 2009, opens in Vegas today at Regal Village Square. From director Lynn Shelton, and starring indie favorites Mark Duplass and Josh Leonard, HUMPDAY is a buddy movie gone wild.

It’s been a decade since Ben (Duplass) and Andrew (Leonard) were the bad boys of their college campus. Ben has settled down and found a job, wife, and home. Andrew took the alternate route as a vagabond artist, skipping the globe from Chiapas to Cambodia. When Andrew shows up unannounced on Ben’s doorstep, they easily fall back into their old dynamic of macho one-upmanship. Late into the night at a wild party, the two find themselves locked in a mutual dare: to enter an amateur porn contest together. But what kind of boundary-breaking, envelope pushing porn can two straight dudes make? After the booze and “big talk” run out, only one idea remains—they will have sex together…on camera. It’s not gay; it’s beyond gay. It’s not porn; it’s art. But how exactly will it work? And more importantly, who will tell Ben’s wife?

Regal Village Square is located at 9400 W. Sahara. Showtimes are 1:15, 3:45, 6:45 and 9:15. For more info on HUMPDAY, visit the film’s website here.

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rilley reviewed Sea Of Darkness
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saying: "don't let the facts get in the way of a good story- Martin Daly. If you liked the Informant you'll ..."
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